Concert Review: Zero at the Fillmore in San Francisco: 2/2 & 2/3/07

{Edited version published in Relix Magazine – Spring 2007}

During the first 15 years of their career, the impressive talent of Zero remained a secret to all but a small following of devotees. Even with the jaw-dropping virtuosity of guitarist Steve Kimock, the grassroots spirit of the band kept them veiled in obscurity. In late 2000, Zero went on hiatus until March of 2006. After a year playing select dates around the country with a new lineup, the band was ready to reconnect with its San Francisco family. Billed as a “Zero Homecoming,” the legendary Fillmore was full of warmth and excitement for the beginning of a new era.

Playing in front of a gigantic, projected backdrop, Zero hit the room like a sonic sledgehammer. Founding drummer Greg Anton is now accompanied by teenage prodigy, John Morgan Kimock and bassist Liam Hanrahan, to forge a wall of rhythm. The unit became even more dynamic when joined by talking drum guru Sikiru Adepoju, who kept things galloping through a funky “Anorexia.”

Other than longtime bassist Bobby Vega, the most glaring Zero absentee has been vocalist Judge Murphy. The return of his authoritative presence at the Fillmore was joyfully received as he belted out custom Robert Hunter classics, “Chance in a Million” and “Horses.” While friday’s performance certainly had plenty of high points, it’s general lack of focus left something to be desired.

Opening Saturday’s show with the titanic instrumental pairing of “Tongue ‘n Groove” and “Gregg’s Eggs,” Zero reminded the sold-out crowd how transcendent they can be. Steve Kimock’s piercing tone pirouetted through a cascading organ avalanche. The band’s rookie of the year, Melvin Seals (JGB), teamed with guest Pete Sears (Hot Tuna), in conjuring a simmering keyboard soup. Lush and lengthy solos from tenor sax shaman, Martin Fierro, tapped into a deep, emotional source.

Another sterling recruit for Zero is veteran Grateful Dead vocalist, Donna Jean Godchaux McKay. The weekend’s final set featured her leading a mystical excursion through the Dead’s “Crazy Fingers.” A distinct feeling of rebirth circulated through the air as the passion of old fans was rekindled and the intrigue of newbies ignited.